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dc.contributor.authorHuault, Isabelle*
dc.contributor.authorBlanc, Antoine*
dc.date.accessioned2010-04-20T14:37:54Z
dc.date.available2010-04-20T14:37:54Z
dc.date.issued2009
dc.identifier.urihttps://basepub.dauphine.fr/handle/123456789/3992
dc.language.isoenen
dc.subjectThéorie des institutionsen
dc.subjectFranceen
dc.subjectMusic Industryen
dc.subject.ddc658.8en
dc.subject.classificationjelM.M3.M31en
dc.subject.classificationjelZ.Z1.Z11en
dc.titleSilenced musicians. The major labels' discursive work in the reproduction of the institutional orderen
dc.typeCommunication / Conférence
dc.description.abstractenWe examine in this paper the issue of how institutions are maintained and the role of agency in this process. We investigate more specifically the efforts of actors to maintain the institutional order through discourse. We approach this issue through an in-depth and longitudinal study of actors’ efforts to maintain institutions in the French Music Industry from 2004 to today. Our study focuses on the discursive work of some actors in fixing meaning about artists and then maintaining institutions. To do this, we resort to a discourse analysis and more particularly to a lexicometric study. We contribute to the study of institutional maintenance in two ways. First, we argue that maintaining institutions is the outcome of agency and not an automatic or a mechanical mimetic process. Secondly, we demonstrate the reproduction of institutions through discourse.en
dc.description.sponsorshipprivateouien
dc.subject.ddclabelMarketingen
dc.relation.conftitleAcademy of Management 2009 Annual Meeting : "Green Management Matters"en
dc.relation.confdate2009-08
dc.relation.confcityChicago, Illinoisen
dc.relation.confcountryUnited Statesen
dc.description.halcandidateoui
dc.description.readershipRecherche
dc.description.audienceInternational
dc.relation.Isversionofjnlpeerreviewednon
hal.person.labIds1032*
hal.person.labIds1032*
hal.identifierhal-01505192*


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